{"product_id":"ruscha-keramik-antiko-decor-fruit-bowl","title":"RUSCHA KERAMIK ‘ANTIKO’ FRUIT BOWL","description":"\u003cp\u003eA very substantial RUSCHA KERAMIK \u003ci\u003eAntiko\u003c\/i\u003e fruit bowl, with a brown and tan mottled glaze on a surface of raised concentric rings.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRUSCHA KERAMIK\u003c\/b\u003e was launched in 1948 when Rudolf Schardt assumed management of Klein \u0026amp; Schardt, his father Georg's ceramics factory in Rheinbach—a small town southeast of Bonn in the German state of North Rhine-Westphalia, with a long tradition of earthenware pottery. (RUSCHA is a syllabic abbreviation of the name Rudolf Schardt.) The timing of the takeover put Schardt in a good position to take advantage of West Germany's post-war boom, and RUSCHA KERAMIK would become one of the leading lights of the \"golden age\" of German ceramics.\u003c\/p\u003e\n\u003cp\u003eRUSCHA is credited with some of the era's key developments. It produced some very successful and innovative forms and finishes, including the iconic model Nr. 313 (Kurt Tschörner, 1954)—probably the period's most famous shape—and the \u003ci\u003eVulcano\u003c\/i\u003e décor (Otto Gerharz, 1951)—which anticipated by decades the move toward thick, dripping fat-lava glazes.\u003c\/p\u003e\n\u003cp\u003eAs well as high-quality vases, RUSCHA is celebrated for exquisite wall plates, plaques, and tiles—manufactured for both indoor and outdoor applications. Specimens from the '70s often exhibit remarkable volcanic and \"fat lava\" glazes. When RUSCHA shuttered its factory in 1996, Scheurich Keramik acquired many of its designs and molds; distinctive silver RUSCHA labels were sometimes applied to the subsequent production.\u003c\/p\u003e\n\u003cp\u003eNotes on identification: RUSCHA KERAMIK used white clay almost exclusively. Rare examples made with red-brown clay are thought to date from periods when normal supply sources ran out. Vessels are typically embossed or incised with form numbers on their bases. If a model was available in more than one size, a single digit indicating relative size follows the form number (separated by dash or virgule). Lower form numbers (\u0026lt; 100) are occasionally preceded by a letter. Along with a handful of other manufacturers, RUSCHA would sometimes recycle model numbers—a cause of distress for some collectors.\u003c\/p\u003e\n\u003cp\u003eKEY DESIGNERS:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOtto Gerharz\u003c\/li\u003e\n\u003cli\u003eKurt Tschörner\u003c\/li\u003e\n\u003cli\u003eHanns Welling\u003c\/li\u003e\n\u003cli\u003eAdele Bolz\u003c\/li\u003e\n\u003cli\u003eHeinz Siery\u003c\/li\u003e\n\u003cli\u003eCilli Wörsdörfer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cb\u003eDETAILS\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMaker – \u003cb\u003eRUSCHA KERAMIK\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eProduction Period\/Year – \u003cb\u003e1970s\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eOrigin – \u003cb\u003eWEST GERMANY\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eStyles\/Movements – \u003cb\u003eMID-CENTURY MODERN; BRUTALIST; RUSTIC\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMaterials – \u003cb\u003eCERAMIC\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eColors – \u003cb\u003eBROWN, COFFEE, TAN\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eCondition – \u003cb\u003eExcellent vintage condition. Unused.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eDimensions – \u003cb\u003e11\" DIAM.× 3 ½\" H\u003c\/b\u003e\u003c\/p\u003e","brand":"MODERN REDUX","offers":[{"title":"Default Title","offer_id":44577060651195,"sku":"RUSCHA KERAMIK 'ANTIKO' FRUIT BOWL","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2159\/9561\/files\/IMG_20230825_140204-01.jpg?v=1693078542","url":"https:\/\/modernredux.myshopify.com\/products\/ruscha-keramik-antiko-decor-fruit-bowl","provider":"MODERN REDUX","version":"1.0","type":"link"}