{"product_id":"carstens-atelier-handle-vase-nr-201-rare-decor","title":"CARSTENS ‘ATELIER’ HANDLE VASE Nr. 201 (RARE DÉCOR)","description":"A Carstens Tönnieshof handle vase from the first Atelier Collection (1962\/64).  The dimensional patchwork decor in burnt orange and dark volcanic brown was designed by \n\u003cdiv class=\"page\" title=\"Page 16\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"layoutArea\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"column\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGerda Heuckeroth and the form by Heinz Siery.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCARSTENS TÖNNIESHOF\u003c\/strong\u003e was founded in 1946 by Ernst Carstens and his son Christian. Their family had had a long prior history of manufacturing ceramics and porcelain in Germany, but all of its businesses had collapsed by the end of WWII. Most of the CARSTENS factories wound up on East German soil when the country was divided and so were expropriated by the DDR. Father and son built the new Tönnieshof factory on a farm of that name in Fredelsloh in Lower Saxony, just west of the border with East Germany. Production of table ceramics began in 1947; the first known decorative pieces date from the early '50s. Ernst's wife Trude Carstens served as artistic director until her death in 1965.\u003c\/p\u003e\n\u003cp\u003eCARSTENS TÖNNIESHOFF was very successful for many years and produced an enormous variety of shapes and glazes. The 'Luxus' and 'Atelier' ranges were more expensive lines and they sold in large department stores—'Atelier,' launched in 1962, was the creation of renowned designer Gerda Heuckeroth. Helmut Scholtis introduced the very popular 'Ankara' décor in 1963 during a stint with CARSTENS; an example of the \"wax resist\" technique, it was applied to a broad array of forms. Lava glazes were employed during the second half of the 1960s. Production was eventually expanded abroad to Austria, Chile, Argentina, and Australia—it may well have topped out at close to 10,000 items daily. Other distinguished designers on CARSTENS' roster included Heinz Siery, Rudolph Christmann, and Dieter Peter. The firm went bankrupt in 1977.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGERDA HEUCKEROTH\u003c\/strong\u003e began her career with an apprenticeship under renowned ceramist Siegfried Möller and studies at the School of Applied Arts in Bremen.  She showed her first pieces at the Grassi Museum in Leipzig in 1939.  Less than two years later she was appointed the artistic director at Carstens-Uffrect KG in Neuhaldensleben and soon took over the management of the group's Hubbe branch.  (The Carstens-Uffrecht factory would be nationalized by the DDR with the division of Germany and operate as VEB Haldensleben up until reunification.)  During WWII Heuckeroth set up a workshop in her home in a suburban district of Hamburg.  Following the war, she worked for various firms, among them Grünstadt, Villeroy \u0026amp; Boch, and the Koninkliijk Plateelbakkerij Zuid Holland in Gouda, as a designer of both forms and décors.  Heuckeroth became artistic director of Ruscha Keramik in 1959 when Hanns Welling left the company.  She succeeded him again in 1962 as the senior designer for Ceramano.  In 1964 she moved to CARSTENS TÖNNIESHOF as head of its Atelier department, where she produced a great number of outstanding designs.  Along with much of her early work, these have become highly sought-after by a new generation of collectors.  Eventually retiring from industry, Heuckeroth returned to freelancing out of her Hamburg studio.  Her work has received numerous awards and prizes over the years at national and international exhibitions.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHEINZ SIERY\u003c\/strong\u003e was a true luminary in the world of ceramics in the 1950s and '60s.  His form designs had significant impact on the product styles of makers Fohr, Scheurich, CARSTENS, and Ruscha, among others.  Siery often employed \"the golden ratio\" (or an approximation) while designing, lending harmonious proportion to his work.  This can be clearly seen in his most iconic vase, no. 271\/22 for Scheurich.  Presented in 1959, it was extremely popular and was still being manufactured in the 1970s.  Siery also developed and introduced new methods of industrial organization.\u003c\/p\u003e\n\u003ctable class=\"properties\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eDesigner\u003c\/th\u003e\n\u003ctd\u003eGerda Heuckeroth, Heinz Siery\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eManufacturer\u003c\/th\u003e\n\u003ctd\u003e\u003ca href=\"https:\/\/www.pamono.com\/makers\/carstens-toennieshof\"\u003eCarstens Tönnieshof\u003c\/a\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eDesign Period\u003c\/th\u003e\n\u003ctd\u003e1960 to 1969\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eProduction Period\u003c\/th\u003e\n\u003ctd\u003e1960 to 1969\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eCountry of Manufacture\u003c\/th\u003e\n\u003ctd\u003eGermany\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eIdentifying Marks\u003c\/th\u003e\n\u003ctd\u003eThis piece has been attributed based on archival documentation, such as vintage catalogs, designer records, or other literature sources\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eStyle\u003c\/th\u003e\n\u003ctd itemprop=\"style\"\u003eVintage, Mid-Century, Modernist\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eDetailed Condition\u003c\/th\u003e\n\u003ctd\u003eExcellent — This vintage piece is in near original condition. It may show minimal traces of use and\/or have slight restorations.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eProduct Code\u003c\/th\u003e\n\u003ctd\u003e\u003cbr\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eMaterials\u003c\/th\u003e\n\u003ctd\u003eCeramic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eColor\u003c\/th\u003e\n\u003ctd itemprop=\"color\"\u003eOrange, brown\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"width\"\u003e\n\u003cth scope=\"row\"\u003eWidth\u003c\/th\u003e\n\u003ctd\u003e\u003cspan\u003e7.5 inch\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"depth\"\u003e\n\u003cth scope=\"row\"\u003eDepth\u003c\/th\u003e\n\u003ctd\u003e\u003cspan\u003e7.5 inch\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"row\"\u003eHeight\u003c\/th\u003e\n\u003ctd\u003e\u003cspan\u003e11.0 inch\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MODERN REDUX","offers":[{"title":"Default Title","offer_id":37872188031163,"sku":"CARSTENS ATELIER HANDLE VASE Nr. 201 RARE DECOR","price":275.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/2159\/9561\/products\/IMG_20201221_114238-01.jpg?v=1608573519","url":"https:\/\/modernredux.myshopify.com\/products\/carstens-atelier-handle-vase-nr-201-rare-decor","provider":"MODERN REDUX","version":"1.0","type":"link"}